Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Skanda Purana, Shiva Purana, Vishnu Purana, Garuda Purana, Brahma Purana, Ways, Hindu Kush, Khajurao, and 112 more. , and , . Purchasable with gift card Buy Digital Discography $645.65 USD (30% OFF) Send as Gift Share / Embed 1. Joachim De Lux - Palampur 05:29 buy track 2. Joachim De Lux - Bessan 04:37 buy track 3. Joachim De Lux - Bessan (MI.LA Remix) 06:42 buy track 4. Joachim De Lux - Bessan (Piccaya Remix) 08:00 buy track 5. Joachim De Lux - Palampur (Zaratustra Remix) 06:39 buy track credits released September 8, 2022 license all rights reserved tags Tags deep tech electronic organic house world oriental spiritual Pune Shopping cart total USD Check out about Kosa musica Pune, India
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Swarnalatha is a classically trained Carnatic singer who lost her son and best friend, Vaishnavi ( Ranjani Ramakrishnan ) in a bus accident. The story reopens after a period of 20 years, when Vaishnavi's son, plans to leave his business of composing jingles with a desire to start a music troupe to compose an everlasting music just like the Charminar, and with these plans returns to his home in his village. His plan irks his father Nassar who wants him to look after the ancestral lands in the village. On the day of Death Anniversary of Vaishnavi, Abhinay spots Swarnalatha, and hears her song \"Pibare Ramarasam\" in the temple. When Swarnalatha leaves the temple, Abhinay stops her, saying, \"you knew my mother\" and follows her. The duo reach the bridge when a car comes and hits Abhinay, and the car was being driven by Pinky (Perizaad Zorabian). Swarnalatha screams and reaches her home, with the 20 years old guilt in her mind that her one step on the bridge caused the accident. Here, the Car gets some glitch and Pinky is compelled to stay for the night in the village. Next morning both Abhinay and Pinky set for Hyderabad to seek the perfect artists for the proposed troop, and they get a guitarist and a drummer Balaji Shaleen Sharma. All land up at Pinky's boutique whose environment irritates Abhinay but somehow Pinky consoles him and the practices start, with a few opportunities coming up their way, but their rock-band does not receive the respect as Abhinay had expected. After a few days Abhinay receives the violin his mother used to play when she was alive. He returns to the village to return the violin to Swarnalatha, saying that both her voice and the sound of the violin are complementary to each other and one cannot exist without one another, and invites her to sing with their troop, for which she refuses saying that she won't come to the village and returns the violin. Swarnalatha's husband asks him to bring his troop to the house on Ganesh Chaturthi day. The troop arrives on the said date and Swarnalatha starts singing \"Mahaganapathi Manasa Smarami\", but stops in between and sings the sophisticated sargam of the song, for which no compatible music could be played. That evening Abhinay again compels Swarnalatha to sing in the city, but she again refuses, and Abhinay ends the communication with the note that She owes him a lot as he is her best friend's son, after all. Next morning Abhinay's father expresses his dislike in his son's musical career in front of Swarnalatha, and at the same time Swarnalatha agrees to sing for Abhinay in the city. She starts from her house with her husband. On the way their car breaks down and they are forced to take the bus, which crosses the bridge. Swarnalatha starts screaming, stops the bus and starts running and falls ill. Both return to home and her husband reports that she cannot come for singing. Next day Swarnalatha personally calls pinky and asks her to learn Carnatic Music. Pinky learns carnatic music from Swarnalatha. After a few days Abhinay plans a concert, though for Pinky to sing but always urges Swarnalatha to come for singing, but she continues to express her reluctance because she considers the bridge as a punishment for her ambitions. One day, while driving, Pinky gets irked at the repetitive reluctance of Swarnalatha, and speeds up the car and crosses the bridge, and Swarna starts screaming, \"Stop the car! We all are going to die\". Finally Pinky stops the car and reveals that her father was drunk and was responsible for the accident. The film ends with the concert in which Swarnalatha appears and sings \"Thaaye Yashoda\" on repeated urging from Pinky, and the concert becomes a 10-week hit.
Two masters of the steel string guitar released a new album in 2020 - Nick Jonah Davis put out \"When the Sun Came\" and Steffen Basho-Junghans released \"The Dancer on the Hill\". While Davis is going through his catalog of styles, plays Basho-Junghans his beautiful ragas for that he is known for and that channel Robbie Bashos ghost to lift up Basho-Junghans beautiful work.
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Description : This is little subject of research & experiment between east & west, tone is belong to Punjabi folk or you can say the Bhangra beat is also related to raga bhairvi from Indian classical music, friends this is my vox, no autotune, in first four bar m singing Punjabi & after four bar m translating the lyrics in English hope you like & interesting chapter for you. peace.
Description : I play with my north Indian String Instrument Sarod a small composition of the popular morning Raga Bhairavi. This Raga is also played at the end of a concert. In this melody, I used different technics which are characteristic for the 25 strings Instrument Sarod, especially the glissando and gliding, moving between 2 notes or more and some ornaments which is typical in Indian classical nusic. 3/4 beat. Key in C.Live recorded with my new Tascam DR 100.
Description : This is probably the first Sarod Loop at Looperman.I play on the north Indian String Instrument Sarod a Melody, based on Asavari That. The Raga which is played in the morning hours. In this short sequence I integrated a few typical glissandi which are characteristic for Indian classical music. The scale is C-D-Eb-F-G-Ab-Bb. There is no category for Sarod, so I have chosen Sitar, which is a more known Instrument than the Sarod.
Ilaiyaraaja is clearly a devoted fan of Bach, Mozart, and the baroque and classical styles in general, with titles like \"I Met Bach In My House\" and \"Mozart I [End Page 153] Love You\" clearly indicating the highly specific directions of his inspiration. Of the two albums, How to Name It is the more accomplished and consistent. The title track superimposes Indian solo instruments (violin, sitar) playing Carnatic ragams over baroque harmonies and structure played by a string orchestra with occasional Carnatic percussion, a combination that produces an often effective synthesis of baroque and Carnatic styles, and which is repre sentative of most tracks on the album. A few tracks have a more obviously filmi quality such as \"Chamber Welcomes Thiagaraja\" and \"Mad Mod Mood Fugue,\" which is not, in fact, an Indian-inflected baroque fugue, but combines Carnatic violin with funk in a style reminiscent of the highly successful fusion achieved on the 2004 film soundtrack Morning Raga. Perhaps the best track on the album is \"(I Met Bach in My House) And We Had a Talk\" in which a violinist playing a Carnatic ragam (beginning with a stunning alapanam) duets with another violinist playing the famous Prelude from the Bach E Major Partita, a dialogue one could imagine might even have occurred had those two great composers, Bach and Thyagaraja, ever met. 153554b96e